该片是(shì )《海蒂
该片是(shì )《海蒂和爷爷(yé )》导演阿兰(lán )•葛斯彭纳最新力作(🎓)，一(yī )部德(🐶)国版的(de )“饥(🍏)饿游戏”！未来社会(huì )阶级分明，制度将菁英与弱者划分开(kāi )来，前者享(xiǎng )有富足的(🍁)生活与保(👆)护，后(hòu )者(🐑)则被遣送(sòng )到拥挤脏乱的底层地区。为了获得优(yōu )渥的资源，各类竞争无所(suǒ )不(🖇)在。札克(kè(😓) )与娜迪获选参(cān )加顶尖大学(xué )保送资格的(de )体能训练营，他们除了要(yào )合作完成各(gè )项任(🈲)务，还得(dé(🥨) )在个人表(🏆)现(xiàn )上拔得头筹。相较遵守游(yóu )戏规则的娜(nà )迪，向 往自由的札克开始(shǐ )质疑制(🎡)度，两人的(🐪)摩擦逐渐(🏂)升高：一(yī )本失踪日记(jì )、一起意外命案，不仅改(gǎi )变他们的命(mìng )运，也揭开扭(🍛)曲体制下(🎚)的(de )私欲与谎言(yán )。
主人公穆夏(xià )是一名小说(shuō )家，正在创(chuàng )作一部小说，近来常常被(bèi )噩梦(🌽)纠缠。丈夫(📂)莫洋为她(🐬)(tā )安排心理医(yī )生做治疗，可没想到在催(cuī )眠治疗过程(chéng )中一个声称他才是穆(🖤)夏真(zhēn )丈(🚌)夫的男人(🍥)(rén )出现，穆夏平静的世界开(kāi )始变的一团(tuán )混乱。
A detective with some unusual qualities investigates a murder.
A group of five women go camping in the woods to celebrate a friend's birthday over 4/20 weekend. But when they cross the turf of an illegal marijuana grow operation they must struggle to survive the living nightmare.
星宇公司遭遇盗宝(bǎo )集团突袭(💠)，立夏受伤(🈳)，丢失了云南赤(chì )家兄弟的瓷(cí )瓶。林欢馨联(lián )合考古学家(jiā )高震云设下(xià )计谋寻回了瓷(🏞)(cí )瓶。不料(😳)盗(dào )宝集(🕥)团跟踪(zōng )至云南该瓷瓶(píng )出土处，将(jiāng )众人擒拿欲挖掘古墓。林(lín )克服恐高症(zhè(🤝)ng )独自逃出(🧀)，并联合赤(🚲)家寨(zhài )村。
工厂停(tíng )工，张金生无处可去，他(tā )独自一人在(zài )工厂徘徊，一段古怪的(💻)声(shēng )音把(⛩)他引入(rù )另一个世界，那里时而漫(màn )天大雪，时(shí )而寂静荒凉，他看到了不(bú )同的自己。
当医(🍁)生来敲门(🗓)(mén )，健康的(🐩)人(rén )都成病人，不管小病还是(shì )重症，能够(gòu )赚钱都是好病人。
本片导(dǎo )演童抒伟(🕖)称(chēng )，《追击(⛴)者》将是福(🐳)建省(shěng )第一部真正(zhèng )意义上还原电影本质、追(zhuī )求电影艺术(shù )的动作犯罪电(📲)影，同时他(🌊)(tā )也致力于拍(pāi )摄出自己风格的电影，更(gèng )希望能够打(dǎ )开漳州，甚至是福建的电(diàn )影市(🥌)场，希(xī )望(🔢)能将商业(🖲)与(yǔ )艺术想结合(hé )。
On a weekend getaway at a rundown cabin in the woods, Jason, a cautious teen, his crude best friend Colin and his fearless older sister Summer are forced to work together, grow up and save their hard partying parents from their predatory neighbour (Lauren Holly) who is intent on feeding them all to her undead family…
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
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