UNDERNEATH is a
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
目标(📍)成(chéng )为作家的(♏)青(qīng )年(🦏)李钟(zhōng )秀（刘亚仁(🗼)(rén ) 饰），平日里靠兼(jiā(🦆)n )职养(😮)活自己(jǐ )。经营(🍏)(yíng )畜牧(⤵)业的(🌞)父(fù )亲不谙人(🐣)情(qíng )，官司(sī )缠身，迫使(🏟)(shǐ )钟(🚆)秀又要为了搭(👸)救(jiù )父(🤗)亲而(⚪)四处(chù )奔走。这(🚼)一日，钟(🛍)(zhōng )秀在某大型(xíng )卖(🦎)场重(chóng )逢了当(🕶)年的(de )同(👬)学申(🥢)惠美（全钟(zhō(🌴)ng )淑 饰）(🧐)。惠(huì )美计划(huá )近期(🎽)前往非(fēi )洲旅行，于是(🌩)拜托(🔆)(tuō )钟秀照看爱(🦓)(ài )猫Boil。不(🍼)(bú )久后惠美回(huí )国(🐅)，与之一(yī )同下飞(fēi )机(🎞)的还(🙆)有名(míng )叫本（(😜)史蒂文(🍋)·元(🗂)(yuán ) 饰）的男子(🎽)(zǐ )。本驾(jià )驶保时捷，居(🚪)住在(🐆)高级(jí )公寓内(🏎)(nèi )，优哉(😚)游哉(🧗)(zāi )，不见工作，四(🚠)处(chù )玩(🔧)乐，和钟(zhōng )秀相比(bǐ(🍅) )有如天上地(dì(😺) )下。不知(🤒)为(wé(🎊)i )何，本(běn )走入平(🤬)民钟(zhō(🛩)ng )秀和惠美的生活，更(🏉)向新朋友(yǒu )讲述了(le )他(🚅)奇特(🏅)的癖(pǐ )好。在钟(🎿)秀家小(🌉)聚(jù )的那个晚上(shà(🏉)ng )过后，惠美仿佛人(rén )间(🔷)蒸发(🌚)了一(yī )般无影(🍔)(yǐng )无踪(🌨)……(🔹)
影(yǐng )片讲述了(🥛)两个珠宝(bǎo )设计师被(🕙)秘(mì(👚) )密组织(zhī )挑选(🤳)为实验(🚬)(yàn )对(🤑)象，在对(duì )抗过(🍌)程(chéng )中(🈷)而发生一(yī )系(😤)列精(🌿)彩的故事。年轻(🗾)有为的(💐)(de )珠宝(💸)设(shè )计师李清(🔶)晨(chén )在(🚘)一次公司(sī )季度珠(✏)(zhū )宝设计中遇(yù )上海(🐿)归设(🎏)计师刘曼(màn )妮(🧢)，一个是(🍕)(shì )典型的(de )大男子主(📡)义(yì )，一个是霸道的女(❄)(nǚ )权(🥒)主义者，火花四(🍰)(sì )溅针(🛂)锋相对(duì )的两人在(🐌)一(yī )次绑架(jià )案后被(🍘)命运(⛎)(yùn )紧密地联系(🏻)在一起(🖊)(qǐ )。面(👄)对一系(xì )列的(🍠)身(shēn )体变异，和(hé )黑衣(📯)人组(📰)织(zhī )头目“托尼(🌑)”接二(è(👱)r )连三(🌯)的夺命追杀，李(😦)清晨和(⏺)刘(liú )曼妮这(zhè )对欢(🧐)喜冤家(jiā )在逃亡的过(😛)程中(🎁)逐(zhú )渐开始变(📃)得(dé )彼(🛥)此信任，而两人(rén )也(😷)联手揭开(kāi )了一段(duà(🐯)n )不为(🏣)人知的(de )惊天大(🧘)阴谋。
这(🏖)部(bù )电影以著名(mí(🏑)ng )作家兼(jiān )记者Mintu Gurusariya的自传(🔷)(chuán )Dakkuan da Munda为(🏜)基础。当(dāng )他是(⚓)一(yī )名(🧜)年轻(🕐)的卡(kǎ )巴迪球(🏵)员时，Mintu成为(wéi )吸毒成瘾(🕡)者(zhě(📸) )。接触(chù )毒品也(😑)将他(tā(💖) )引入(💳)犯罪市(shì )场。但(🌪)(dàn )今天(🕑)，他成(chéng )了年轻人及(🃏)其家人(rén )的灵感，因(yī(💴)n )为他(👌)设(shè )法摆脱了(😀)他(tā )的(😸)束缚，打破了他(tā )与(📙)毒品和犯(fàn )罪的关系(💸)。
Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
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